- XTOUCH MINI OSCULATOR TO ATEM SETUP WINDOWS 10
- XTOUCH MINI OSCULATOR TO ATEM SETUP PRO
- XTOUCH MINI OSCULATOR TO ATEM SETUP SOFTWARE
- XTOUCH MINI OSCULATOR TO ATEM SETUP ISO
I’ve attached a diagram of the proper setup to do this as well as an example project file. Please be sure to annotate which fader you are moving and the resultant fader movement in ATEM within the log capture so that we can adjust appropriately. Then you can turn on logging and we can have a look. What you need to do for me to be able to help is set up Bome MIDI Translator with your MIDI controller as input and the ATEM application as output (IE Bome MIDI Translator 1) and visa versa with the routing as shown below. I’m not that familiar with ATEM capabilities but if you can monitor the MIDI messages that are being sent with your controller that moves your faders (using the logging capability of Bome MIDI Tranlsator) then we can certainly translate these messages the way you want them. I believe the ATEM OSC bridge only works on Mac.
XTOUCH MINI OSCULATOR TO ATEM SETUP SOFTWARE
There is software you can get for your ATEM to accept OSC messages and then you can use OSCulator to translator MIDI to the OSC message of your choice (whatever the ATEM OSC bridge accepts). Now, if the ATEM does not allow for direct MIDI control of the faders,Īnd you are running OSCulator. If the ATEM audio works for you then fine, but I guess I feel it has a LOOONG way to go before I'd be happy with it.If the ATEM allows for direct MIDI input, and the sliders are already defined MIDI messages, then yes.įor instance if ATEM allows for Mackie MCU MIDI control of the faders, then we can use Bome MIDI Translator to translate the fader 5 mackie MCU message to the fader 1 MCU message and so forth. Options for audio delay (because delay on an input channel usually isn't where you need it) and more inputs/mic preamps are all easy situations for an external mixer.
XTOUCH MINI OSCULATOR TO ATEM SETUP ISO
I also frequently need unique mixes for ISO recorders.
The main mix for PGM, maybe a secondary mix for recording/archive, and another mix to satisfy commentators. I almost always am in need of several mixes for a show. There is still only one mixing bus and that I find very limiting.
XTOUCH MINI OSCULATOR TO ATEM SETUP PRO
I see that the TVS pro 4k has the upgraded fairlight audio, which adds sorely needed dynamics and EQ. I only have the 2M/E, 1M/E4k, and 4M/E 4k models to test with, all 3 of these models work. Since this control passes through the ATEM software, I would expect this functionality exists for all ATEM models. You can control the ATEM faders as long as the ATEM software is running and connected to the ATEM, but you do not have to have the audio page displayed. It supports many other configs (midi, network) but this was the only one that seemed to work. You also have to configure the x-touch to use Mackie control mode (MC) over USB. As I suspected, the x-touch has to be connected to the computer running the ATEM software via USB. So I have the X-Touch (not mini, not compact, not ONE, it's the biggest model with scribble strips and jog wheel) controlling the ATEM audio faders this morning. At $1800, I will probably end up bringing two separate audio consoles. I am hoping to find something that will do it for no more than around $700.
XTOUCH MINI OSCULATOR TO ATEM SETUP WINDOWS 10
The first difference I notice between our setups is that you’re running Windows 10 and I’m on 7. It is, however, working for me now, the occasional glitch aside. I’m only up and running because others helped me, so I’m happy to do what I can. There is a behringer unit I found that will, but it is $1800, and I am hesitant to spend that much on this. I recently purchased an Xtouch and had numerous adventures of my own. It would be convenient to have a console that could control both discrete audio feeds and the software at the same time.
In the field, you rarely have a setup that works for every scenario. If it's a single guy at a nearby podium or interview type stuff, I'll use discrete audio, but might still want NAT sound from a camera. If I am 400 yards away from the cameras, I'm running fiber, and will probably go embedded. It all depends on the layout of the shoot and the audio needs. Sometimes I have videos I play from Hyperdeck shuttles that don't have a discrete audio output. Sometimes I use discrete audio for my main audio, but use nat sound embedded from cameras.
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